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| style="width: 555px;  vertical-align: top" | ''Galerie C&V'' is the name under which Alexander Mayer, Jo Zahn and Jörn Zehe have been working together since 2007. The group initiated from their common organisation of the exhibition series "Copieren und Verfälschen" at Künstlerhaus Frise in Hamburg. In 2009, this series was continued with the exhibition "Kommentar als selber was" at Kunsthalle Exnergasse in Vienna.
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| style="width: 555px;  vertical-align: top" | ''Galerie C&V'' is the name under which Alexander Mayer, Jo Zahn and Jörn Zehe have been working together since 2007. The group initiated from their common organisation of the exhibition series "Copieren und Verfälschen" at ''Künstlerhaus Frise'' in Hamburg. In 2009, this series was continued with the exhibition "Kommentar als selber was" at ''Kunsthalle Exnergasse'' in Vienna.
  
In 2010, forty years after the opening of the exhibition "A Decade of California Color" at Pace Gallery, New York, Galerie C&V showed the outcomes of their research on a fake copy of the exhibition catalogue at Dorothea Schlüter [Name verlinken mit: http://dorotheaschlueter.com/de/exhibitions/galerie-cv ], in Hamburg. "Another Decade of California Color" was preceded by two travels to Los Angeles where numerous conversations took place with artists whom had been participating in the exhibition in 1970.
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In 2010, forty years after the opening of the exhibition "A Decade of California Color" at ''Pace Gallery'', New York, ''Galerie C&V'' showed the outcomes of their research on a fake copy of the exhibition catalogue at [http://dorotheaschlueter.com/de/exhibitions/galerie-cv ''Dorothea Schlüter''] in Hamburg. "Another Decade of California Color" was preceded by two travels to Los Angeles where numerous conversations took place with artists whom had been participating in the exhibition in 1970.
  
A continuation of this project was presented in 2012 at Essays and Observations [Namen verlinken: http://www.essaysandobservations.com/EssaysAndObservations_Portfolio.pdf ] in Berlin.
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A continuation of this project was presented in 2012 at [http://www.essaysandobservations.com/EssaysAndObservations_Portfolio.pdf ''Essays and Observations''] in Berlin. Parallel to the show "Pacific Standard time" at ''Martin Gropius Bau'' in Berlin, the exhibition "Suitable for Framing" reopened the case of a work of West Coast art being reproduced inside the fake copy of the catalog.
Parallel to the show "Pacific Standard time" at Martin Gropius Bau in Berlin, the exhibition "Suitable for Framing" reopened the case of a work of West Coast art being reproduced inside the fake copy of the catalog.
 
  
Since 2014, the artist group has been working on a research project about Impatiens glandulifera. This plant, also known as "Himalayan Balsam" or in German "Indisches Springkraut" was imported in 1839 from North India to London by the British botanist John Forbes Royle and was cultivated at the Kew Botanicals Gardens as an ornamental plant. In recent years, it has been combated massively as an intruder and invasive species, and is dividing conservationists into opponents and proponents.
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Since 2014, the artist group has been working on a research project about ''Impatiens glandulifera''. This plant, also known as "Himalayan Balsam" or in German "Indisches Springkraut" was imported in 1839 from North India to London by the British botanist John Forbes Royle and was cultivated at the ''Kew Botanicals Gardens'' as an ornamental plant. In recent years, it has been combated massively as an intruder and invasive species, and is dividing conservationists into opponents and proponents. This research about the origin, dispersion, control and combat of Himalayan Balsam has taken place in Bangalore (India), Zirnberg/Oberpfalz, Worpswede and Bad Tölz.
This research about the origin, dispersion, control and combat of Himalayan Balsam has taken place in Bangalore (India), Zirnberg/Oberpfalz, Worpswede and Bad Tölz.
 
  
  

Version vom 20. August 2018, 13:17 Uhr

Galerie C&V

www.c8v.de

Galerie C&V is the name under which Alexander Mayer, Jo Zahn and Jörn Zehe have been working together since 2007. The group initiated from their common organisation of the exhibition series "Copieren und Verfälschen" at Künstlerhaus Frise in Hamburg. In 2009, this series was continued with the exhibition "Kommentar als selber was" at Kunsthalle Exnergasse in Vienna.

In 2010, forty years after the opening of the exhibition "A Decade of California Color" at Pace Gallery, New York, Galerie C&V showed the outcomes of their research on a fake copy of the exhibition catalogue at Dorothea Schlüter in Hamburg. "Another Decade of California Color" was preceded by two travels to Los Angeles where numerous conversations took place with artists whom had been participating in the exhibition in 1970.

A continuation of this project was presented in 2012 at Essays and Observations in Berlin. Parallel to the show "Pacific Standard time" at Martin Gropius Bau in Berlin, the exhibition "Suitable for Framing" reopened the case of a work of West Coast art being reproduced inside the fake copy of the catalog.

Since 2014, the artist group has been working on a research project about Impatiens glandulifera. This plant, also known as "Himalayan Balsam" or in German "Indisches Springkraut" was imported in 1839 from North India to London by the British botanist John Forbes Royle and was cultivated at the Kew Botanicals Gardens as an ornamental plant. In recent years, it has been combated massively as an intruder and invasive species, and is dividing conservationists into opponents and proponents. This research about the origin, dispersion, control and combat of Himalayan Balsam has taken place in Bangalore (India), Zirnberg/Oberpfalz, Worpswede and Bad Tölz.


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Als Galerie C&V arbeiten Alexander Mayer, Jo Zahn und Jörn Zehe seit 2007 zusammen. Die Gruppe entstand aus der gemeinsamen Organisation des Ausstellungsprogramms „Copieren und Verfälschen“ im Künstlerhaus Frise in Hamburg. 2009 fand in der Kunsthalle Exnergasse in Wien eine Weiterführung der Reihe unter dem Titel „Kommentar als selber was“ statt.

2010, vierzig Jahre nach der Eröffnung der Ausstellung „A Decade of California Color“ in der Pace Gallery, New York, zeigteGalerie C&V bei Dorothea Schlüter in Hamburg Ergebnisse einer Recherche zu einem gefälschten Exemplar des Kataloges dieser Ausstellung. „Another Decade of California Color“ waren zwei Reisen nach Los Angeles und zahlreiche Gespräche mit den 1970 an der Ausstellung beteiligten Künstlern vorausgegangen.

Eine Fortführung dieses Projekts wurde 2012 bei Essays and Observations in Berlin präsentiert. Die Ausstellung „Suitable for Framing“ rollte den Fall eines im gefälschten Katalog reproduzierten Kunstwerks der West Coast Art parallel zu der im Martin Gropius Bau gezeigten Schau „Pacific Standard Time“ erneut auf.

Seit 2014 arbeitet die Künstlergruppe an einer Recherche zu Impatiens glandulifera. Diese Pflanze, auch unter dem Namen „Indisches“ oder „Drüsiges Springkraut“ bekannt, wurde 1839 von dem englischen Botaniker John Forbes Royle aus Nordindien nach London gebracht und im Botanischen Garten Kew Gardens als Zierpflanze kultiviert. Seit einigen Jahren wird sie in Westeuropa als Eindringling und invasive Art massiv bekämpft und spaltet die Natur- und Umweltschützer in Gegner und Befürworter. Stationen der Forschung über das Indische Springkraut und dessen Herkunft, Verbreitung und Bekämpfung waren unter anderem Bangalore (Indien), Zirnberg/Oberpfalz, Worpswede und Bad Tölz.


Galerie C&V zu Gast bei der GFLK:

2013, Galerie C&V in der GFLK Halle Süd, Bad Tölz:
Recherchen und Filmaufnahmen zum Indischen Springkraut (Impatiens glandulifera)

2018 - 2019, Galerie C&V in der GFLK Halle Süd, Bad Tölz:
Springkrauternte in Bayern



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